RHCP I’m With You Stage

Ret Hot Chili Peppers have a brand new stage set for their current I’m With You tour and RHCP Brazil decided to find out more; they’ve very kindly translated their original article into English and shared the information, interview and photos they have with us.

Red Hot Chili Peppers I'm With You stage set up new

The Red Hot Chili Peppers have started an epic world tour using the very best in the entertainment industry and a very experienced technical team.

Started in Germany on 07th October, the world tour for the new album “I’m With You” has a huge LED Backdrop panels made ??with V28 LSI Saco, a band’s logo drawn on the floor made with 30mm LED from Tait Towers and eight impressive chandeliers that move  and expand itself giving dynamism, depth and a three-dimensional performance.

The new stage has an octagonal shape as a base, from the logo of the band on the stage to the trussing and was fully designed by United Visual Artists (or UVA), studio based in London and intersection of sculpture, architecture, live performance, moving image and digital installation.

The RHCP Brazilian website  talked to David Bajt, d3 projects leader (UVA’s own software which you will understand more below), and he told many details about the new stage, that although it seems to be a very complex construction, it only takes 2 hours to build it up in those rooms.

 Did you receive some briefing from RHCP management to build the stage or the whole creation was 100% by UVA?

It was pretty much 100% UVA design, but of course it had to be realistic in terms of touring, and the band had to like it too.

 What are the sizes of the screens used at this stage?

Backdrop: 17.92m wide, 6.72m high

Floor: 21m wide, 12m.

Chandelier: 3.024m wide and high (closed), 9m high + trussing = approx. 10.5m high

 Are LED Backdrop and chandeliers’ resolution the same? What’s their resolution?

Every chandelier has the resolution 336×336

The backdrop has the resolution 640×240

The floor has the resolution 700×400

 There are 8 chandeliers, how they were built? Are they made using LED or another specific material?
The LED for the chandeliers are made of SACO v9 panels provided by Nocturne PRG. The chandeliers themselves has been built and engineered by Tait Towers. All movements are controlled by the Tait Navigator system, which sends all position, rotation and expansion data to d3 which automatically maps content onto them, regardless if they are open, closed or rotated.

 Do they stay only above the band or they also move towards above the audience?

The screens stay on top of the band, as they form one design together with the floor and the backdrop.

 I’ve seen the chandeliers expanding in some music and it looked like it was being opened above each tip of the asterisk. How does it work? Was it inspired on that screen created by Barco for U2 that expands as well?

We used the band’s logo as a key for the design – it’s on the floor, and the screens above the band reflect this in a more abstract way. Expanding screens are not new, but you don’t often see them in this versatile way. They expand using motors at the very top and very bottom of every chandelier, and all the tracking data goes into d3. d3 is our home-made integrated production toolkit, we (UVA) use it for all our installations. Using d3 we can pre-visualize the show in 3d, and use it to sequence all the content / kinetics. During the show we use it to control the video content, screens movements and live camera feeds. Both U2 and this RHCP show use 360 screens, so in that sense it is similar, although the feel to the whole show is very different. U2 also use our d3 system, so that is similar too!

Red Hot Chili Peppers I'm With You stage set up new

 What’s the speed they move?

It’s quick! It takes about 20 sec to go from completely closed to completely expanded.

 About lights, animation and screen movement: Is it everything automatic? Or who is in charge to control everything? Once I heard about a control called GrandMA, I don’t know much about this product but is it used?

Yes, the video operator (Leif Dixon) and the lighting designer (Scott Holthaus) both use GrandMa desks, which are used a great deal in the live music industry, usually to control the lighting. There are a lot of things going on during a big show like this – screen movements, video content, lights – and all these elements might all have their own system behind it. We successfully integrated d3 with a GrandMA for the first time, meaning that you can use the GrandMA desk to jump to the next cue in video content, for example. This gives the show controllers a lot more flexibility.

 The data from the screen positions comes into d3 automatically, but many of the screen positions and configurations have been programmed in during the production rehearsals. As soon as we get the set list from Anthony Kiedis (this is usually only 15 min before the show) we tell ‘Motion Rob’ who controls the screens to match the screen positions with the content of the songs. The lights and the video are ‘cue-based’, the video operator uses a GrandMa desk to jump to the next cue in d3’s timeline. The band is jamming and adding/reducing bars a lot so it’s impossible to use Midi timecode or similar. This is a real punk-rock band that improvises a lot, so a completely pre-made show would never fit with their musical spontaneity.

 About animation and lighting design process, were they made after the stage had been completely finished or was everything planned together?

Some content was planned during the design process but the lighting was sequenced during the production rehearsals. The good thing with d3 is that you can simulate all the video design months before the show opens! These animations were sent to the management and the band for approval.

Red Hot Chili Peppers I'm With You stage set up new

 Some people complained about the fact there is no screen with live images of the band playing, that it could be good for those who are very far from stage. Why do all images have effects? Is it some RHCP decision to avoid illegal video on the internet?

This depends on the show, all of them are different – the ones in London and Germany for instance had a lot of real time camera with and without effects, but maybe you saw a different one?

 Who had the idea to make the RHCP logo on the floor using LED? What kind of material have you used to make a great visual effect and also to uphold all equipment above?

It was our idea here at UVA. We only specified the architectural shapes, screen movements, and the requirements of the LED screens (brightness, pixel pitch) and of course specifying how the lighting trusses would be designed. For example you can see that the 3 lighting trusses inside the chandeliers follow the same shape as the logo. It’s all been thought about very thoroughly, you have to when you are working on this scale. Tait Towers, who are specialized in building stages, made sure everything was engineered properly and the whole set works.

Red Hot Chili Peppers I'm With You stage set up new

 But the band put a carpet on stage so it’s almost impossible to see the asterisk, do you know why? Is the surface too flat or smooth?

It’s a very practical and personal reason: Anthony Kiedis has some trouble with his knees, so for some shows they had to put a soft carpet on the floor to accommodate this. This will be replaced with a transparent screen though so the logo is fully visible. The band really like it – in fact Chad requested the elevated drum stage he’s on to be a mesh (it wasn’t at first) so he could see the floor better!

Red Hot Chili Peppers I'm With You stage set up new

 How much weight each video screen has? How much tons approximately has the entire stage?

We don’t know, sorry.

 How do you make this transportation from one country to another?

There’s 5-6 big trucks shipping all the kit and another 5-6 tour buses transporting staff.

 How long does it take to build the entire stage on the show? There are bands that have more than one set in the next town they’d be playing in order to build it up in time, is it necessary to RHCP?

As designers, we only come up with the idea and how to get it built – so we don’t actually build up the stage. However, RHCP tour management have a very experienced and professional team that tour with the Peppers and build up the stage for their show. We know it only takes approximately 2 hours to build the entire stage!! so this is why they can travel and do a show somewhere else every day. 

 In terms of logistic, how difficult and expensive can be to bring this stage to Brazil?

Sorry, we don’t know this one either. This is part of the band’s management.

 For next year that will have outdoor gigs, stadiums and big arenas, will they use the same stage?

Yes, at least for the US part of the tour. We are not sure what will happen next, this would be up to the band’s management.

 All this structure is special for RHCP or it’ll be commercial line in the future?

Featuring the RHCP logo, it’s made especially for RHCP, so it won’t be seen anywhere else.

 What are the other bands that UVA works for?

We’ve designed the stages (and content) for bands like Massive Attack and Jay-Z but our production toolkit d3 is used by many bands including U2, Kylie Minogue, Take That, Robbie Williams, Battles, George Michael and many more.

 Thank you

More Photos

Credits to: James Medcraft

Red Hot Chili Peppers I'm With You stage set up new

Red Hot Chili Peppers I'm With You stage set up new

Red Hot Chili Peppers I'm With You stage set up new

Red Hot Chili Peppers I'm With You stage set up new

 Red Hot Chili Peppers I'm With You stage set up new

Red Hot Chili Peppers I'm With You stage set up new

Many thanks to Altair at RHCP Brazil  for sharing this amazing information and for translating it into English too! The original article, in Portuguese, can be seen HERE for anyone interested.

RHCP Photos Torino December 10th 2012

Venue: Palaolimpico Torino Italy

Date: Saturday 10th December 2011

I’ve just added over 220 photos of the Red Hot Chili Peppers performing atTorino/ Turin, Italy at the end of last year. Sorry there’s been a delay due to real life issues but I’ve finally done it… Here are a few examples, hope you enjoy :)

 

Note: The lighting at the concert wasn’t brilliant for taking photos; I took over 700 trying to catch the right conditions and have uploaded about 300 of those to my two websites- the quality of the uploaded ones does vary but I’ve added so many photos to give a real taste of the concert.

Full RHCP at Torino Gallery

And for anyone interested: Anthony Kiedis Gallery at Torino December 2011 on AnthonyKiedis.net

 

Welcome to a Red Hot 2012!

Red Hot Chili Peppers 2012

Welcome to another Red Hot year with loads more Chili Peppers concert dates planned so hopefully lots more interviews, photos and news to come!

This website hasn’t been abandonned; real life has got massively in the way this year but hopefully the worst of that is over and I can get back to updating the site.

Just a couple of things… RHCP’s I’m With You album cover was voted the best of the year in the latest edition of Q Magazine. See article HERE

And I’ve just added a gallery of images painted by a John Frusciante fan who painted an album of pictures inspired by John Frusciante’s solo music-song by song! The completed album was sent to JF and the artist received confirmation that John had received the album. Find out more and see the images HERE

 

RHCP 2012 Rock ‘N’ Roll Hall of Fame Inductees

Red Hot Chili Peppers are to be inducted into the Rock N Roll Hall of Fame in 2012! They will be joining several other groups including the Beastie Boys and Guns N’ Roses.

Red Hot Chili Peppers Cleveland Rock N Roll hall of Fame 2012 inductees

The complete list of inductees is:

Guns N’ Roses
Red Hot Chili Peppers
Beastie Boys
Donovan
The Small Faces/The Faces
Freddie King
Don Kirshner
Cosimo Matassa
Tom Dowd
Glyn Johns
Laura Nyro

Source

Anthony Kiedis was interviewed by Rolling Stone shortly after he found out:

Did you get emotional?
The most emotional part for me was thinking about Hillel Slovak. That was where it got me. I felt very good about it, but I felt very much like our work has only just begun. Now that we’ve got Josh in the band, we have a chance to make some great records over the next few years. But there was something about going back and thinking about something that we started in a living room with Hillel Slovak. Because he’s no longer with us, it seemed emotional and beautiful. It’s really kind of his induction that I’m most excited about. He’s a beautiful person that picked up a guitar in the 1970s and didn’t make it out of the 1980s, and he is getting honored for his beauty. 

Do you feel weird about getting in while the band is still so active? Some bands say they worry it conveys the impression that they are done.
I don’t feel weird about it. I know what the next few years look like for our band, and I’m incredibly excited to be playing with these guys. I feel like our creative well is running over. I don’t think it’s going to stigmatize us. Nothing has the power to diminish the love we have for what we’re doing right now. It’s just an interesting interlude to be accepted into the Hall of Fame while we’re still vibrantly going about our business.

One of the cool things about it is that all of the past inductees vote. So, I don’t know, Paul McCartney had the chance to vote for you.
I have an absolute smile on my face while you say that.

And you’ll be on the wall in Cleveland near Elvis Presley.
As a kid, I was anti-Elvis. I just didn’t get it. Once I stopped being so judgmental I found the great wonder of Elvis and all that he did. I was a little self-centered gutter punk in the early 1980s and all I wanted to do was diss everybody. I remember going to Graceland as a kid and talking shit while I was there. Now if I went there, I’d think about all the great things he did and what a great musician he was. 

Do you think that John Frusciante will come to the induction?
Ummm… Wow. It would be a guess on my behalf on whether or not he’ll come. I can’t imagine that he would, but it’s a “you never know” kind of thing. I haven’t talked to him in quite a while. I don’t know where he’s at these days. He’ll obviously be more than welcome, and embraced if he does. If he doesn’t, that’s cool too.

I’m guessing they’ll bring your former drummer Cliff Martinez in too, but I really don’t know.
I would imagine that he would want to come. Both he and Jack Irons would want to come. 

Read the full Rolling Stone interview with Anthony Kiedis here

Many thanks to everyone who’s posted links about this on my Facebook pages.

RHCP Romania Tallinn 30th July 2012 Ticket Details

 

RHCP are due to play Romania on 31th July 2012 in Bucharest (Romania)

Red Hot Chili Peppers Bucharest 31st July 2012

Many thanks to Viorel and Eva who have provided the information on this; Eva has told me that there is a club, FBI Concert Club, that people can join (free) and this will allow them to purchase tickets in a pre-sale on Thursday. An an activation link will be sent to you by email that you then use to access the ticket sale to buy tickets.

Here’s the link to join the club: RHCP Romania Sales link

Tickets will go on sale via this link on the 8th December at 10 am Estonian time. (2 hours ahead of GMT).

Ticket Details:

Front Row tickets: Will need to buy fanzone tickets which are 79 euros.

Regular Tickets: The first sale of regular tickets will be at 49 euros each. This will then rise to 55 euros and again to 59 euros closer to the concert.

RHCP Italian Interview 6th December

An interesting interview especially for you John Frusciante fans as it mentions him and the fact that Josh feels the two of them are unlikely to work together again:

Original Italian Version:

5 set 2011 – Uno ha i capelli viola, i piedi nudi, tatuaggi, la maglietta di Thelonius Monk: ha lo sguardo da ragazzino, ma la faccia un po’ segnata dal tempo. L’altro è tutto vestito di nero, ha una felpa con il cappuccio, un accenno di barba, il ciuffo. Ha lo sguardo e il viso da ragazzo; dimostra meno dei suoi 31 anni e sembra ancora un po’ intimidito dalla situazione.
Sono Flea e Josh Klinghoffer, ovvero l’anima ritmica (e non solo) dei Red Hot Chili Peppers e il “nuovo” chitarrista: sono passati dall’Italia oggi per presentare “I’m with you”, il disco uscito la settima scorsa (qua la nostra recensione), il primo in cinque anni e il primo dopo la seconda uscita di John Frusciante dal gruppo.
Flea è gentile, risponde ad ogni domanda senza problemi, a partire dalla scelta della maglietta – il suo amore per il jazz è noto: “mi piace, a chi non piace Thelonius Monk? Come mi piacciono i Beatles e come mi piace respirare..”. Poi si passa a parlare del disco, della nuova formazione: la sensazione che i due danno è di grande affiatamento, Josh (che aveva già in passato suonato con il gruppo in tour, per questo “nuovo” va messo tra virgolette) si è inserito alla perfezione, è in piena sintonia con il resto del gruppo: “Abbiamo un processo di composizione democratico, ognuno può dire la sua, e Josh non si è solo inserito, ha portato la sua visione”, spiega Flea. “Quando abbiamo iniziato a scrivere, due anni fa”, dice Josh, “E’ stato tutto molto naturale, abbiamo imparato a conoscerci. Non ci sono stati grandi difficoltà se non ora che iniziano le cose strane, vedere così tanta gente… Anche se poi suonare con questa band è una cosa naturale, siamo subito in contatto”.
“Josh è una persona molto differente da John”, spiega Flea. “Ero molto abituato a lui, abbiamo suonato assieme per tanto di quel tempo che avevamo ormai un nostro linguaggio. Con Josh ho imparato un nuovo linguaggio: ho dovuto lasciarmi indietro il passato e immergermi nel presente”.
Flea ha un rapporto sereno con il tempo, e si vede, lo ripete in continuazione: “ Cinque anni?”, dice all’inevitabile domanda sulla lunga pausa. “Siamo stati in tour per ‘Stadium Arcadium’, ci siamo presi una pausa, abbiamo ricominciato a scrivere, ed eccoci qua. E’ stata l’attrazione gravitazionale dei nostri cuori: ci siamo ritrovati a suonare musica. Se penso alla nostra tradizione, a come abbiamo iniziato negli anni ’80, e a dove siamo ora, con i palazzetti, gli stadi… Do un grande valore al nostro modo di fare le cose. It’s fucking awesome! Poi non so se ci vorranno altri cinque anni per un disco… So a malapena cosa farò domani, sono che sono grato di stare in tour e di comunicare le mie idee, di poter parlare con la gente. Poi vedremo.”.
Quanto al passato, Flea non ha né rimorsi né rimpianti. Anzi la sua vena mistica viene fuori anche qua: “Ho un ottimo ricordo di quello che abbiamo fatto: eravamo così stupidi, dei cazzoni che non sapevano cosa facevano, che andavano in giro sfatti…I nostri angeli custodi ci hanno permesso di sopravvivere, di trovare qualcosa dentro di noi che ci ha fatto crescere. Nessun guru, nessun psichiatra ci avrebbe potuto indicare una via migliore”.  Un tema, quello del passato, che ritorna anche in uno dei momenti più intensi del disco, “Brendan’s death song”. “ E’ dedicata ad un nostro amico, un promoter di L.A. che fun uno dei primi a darci un ingaggio: a quell’epoca non eravamo nessun e lui avuto un grande ruolo nella crescita della band, con quello che ha fatto. Ci ha dato fiducia, ci siamo sentiti rispettati. Il primo giorno che abbiamo suonato con Josh è stato quello in cui abbiamo saputo della sua morte. Abbiamo improvvisato ed è nata quella canzone”.
La vena mistica di Flea ritorna quando racconta il suo rapporto con la musica: “Sono un fottuto hippie… la musica per me arriva da un posto divino. Quello che posso fare è mettermi nella condizione di farla scorrere, di farla arrivare, per vivere la mia vita in un posizione vicino a questo posto divino. Ma non sono religioso…”
Josh guarda, sorride, ogni tanto interviene con una battuta, in maniera molto educata, timida, ma non troppo. Quando Flea si assenta per andare un attimo in bagno, dice che lui non ha problemi a suonare le canzoni che la band ha inciso con gli altri chitarristi: “John aveva un problema con i brani di ‘One hot Minute’, quelle che la band aveva inciso con Dave Navarro. Io quel disco l’ho comprato e l’ho amato, quel tour è stata anche la prima volta che ho visto i Peppers dal vivo. Ma tanto so che neanche gli altri amano particolarmente quei brani”. Dice che vuole continuare la sua carriera solista: “Nelle pause del tour farò la mia musica. Ma non credo che suonerò ancora con John”, dice – Josh ha suonato in molti dischi solisti di Frusciante, ne ha inciso uno a doppio nome e due sotto il nome Ataxia. “John è abbastanza concentrato sulle sue cose, ultimamente”. Quanto al suo ruolo futuro nei RHCP, dice ridendo: “Sarò incosciente, diventerò tossico, ruberò macchine. Non vedo l’ora”, e poi manda un saluto ai suoi amici italiani, Marlene Kuntz e Afterhours, con cui ha suonato dal vivo qualche volta.
Per vedere dal vivo i Red Hot Chili Peppers, invece, bisogna aspettare Dicembre, il 10 a Torino e l’11 Milano.

Source

__________________________________________________________________________

English Translation (Sorry it’s late here and I’ve just run it through Google translate but it will give you the idea; I’ll try to get a proper translation of it if I can but most of my Italian friends have been running around Germany/are about to go to see RHCP at the weekend).

September 5, 2011 – One has purple hair, bare feet, tattoos, T-shirt of Thelonius Monk: a kid has the look, but do a little ‘marked by time. The other is dressed all in black, has a hoodie, a hint of a beard, a tuft. It has the eyes and face as a boy, looked younger than his 31 years and still seems a little ‘intimidated by the situation.

Flea and Josh Klinghoffer are, or the soul of rhythm (and not only) Red Hot Chili Peppers and the “new” guitarist from Italy have gone today to present “I’m With You”, the disc out of the seventh last (our review here), the first in five years and the first since the second exit from the group of John Frusciante.

Flea is gentle, smooth answers to every question, from the choice of shirt – his love for jazz is well known: “I like it, who does not like Thelonious Monk? As I like the Beatles and as I like to breathe .. “. Then you need to talk about the disc, the new formation: the feeling that the two damage is of great harmony, Josh (who had previously played with the band on tour, for this “new” should be put in quotes) was inserted to perfection, is in full harmony with the rest of the group: “We have a democratic process of composition, each can have its say, and Josh has not only entered, brought his vision,” says Flea. “When we started writing, two years ago,” says Josh, “It ‘was all very natural, we have learned to know each other. There were great difficulties if not now starting things strange to see so many people … Even if they play with this band is a matter of course, we immediately got in touch. ”

“Josh is a very different person from John,” says Flea. “I was very accustomed to him, we played together for so long that now we had our own language. With Josh I learned a new language: I had to leave the past behind and immerse myself in this. ”

Flea has a peaceful relationship with time, and it shows, repeats all the time: “Five years?” Says the inevitable question about the long pause. “We were on tour for ‘Stadium Arcadium’, we took a break, we started to write, and here we are. It ‘was the gravitational pull of our hearts: we ended up playing music. If I think of our tradition, as we started in the ’80s, and where we are now, with arenas, stadiums … Do a great value to our way of doing things. It’s fucking awesome! Then I do not know if it will take another five years for a hard … I know hardly what I will do tomorrow, I am that I am grateful to be on tour and to communicate my ideas, to talk to people. Then we’ll see. “.

As in the past, Flea has no remorse or regrets. Indeed, his mystical streak comes out here too: “I have great memories of what we did: we were so stupid, the fuckers who did not know what they did, who went around mushy … Our Guardian Angels have enabled us to survive , to find something within us that made us grow. No guru, no psychiatrist could have indicated a better way. ” A theme, that of the past, who returns at one of the most intense moments of the album, “Brendan’s death song.” “And ‘dedicated to our friend, a promoter of LA that one function of the first to give us a gig: at that time were not any and he played a major role in the growth of the band, with what he did. Gave us confidence, we felt respected. The first day we played with Josh was one in which we heard about his death. We improvised and that song was born. ”

The mystical vein of Flea returns as he recounts his relationship with music: “I’m a fucking hippie … for me the music comes from a divine place. What I can do is put in a position to slide, to get her to live my life in a location near to this divine place. But I am not religious … ”

Josh looks, smiles, occasionally intervenes with a joke, in a very polite, shy, but not too much. Flea when we go away for a moment in the bathroom, says he has no problem playing the songs that the band has recorded with other guitarists: “John had a problem with the songs ‘One Hot Minute’, the ones that the band was recorded with Dave Navarro. I’ve bought that album and I loved that tour was also the first time I’ve seen the Peppers live. But I know that not even particularly like these other songs. ” He says he wants to continue his solo career: “In the pauses of the tour will my music. But I do not think that will play with John again, “he says – Josh has played in many of Frusciante solo albums, he has recorded a double name and two under the name Ataxia. “John is quite focused on his things, lately.” As for his future role in the Red Hot Chili Peppers, he laughs: “I will be unconscious, become toxic, steal cars. I can not wait “, and then sends a greeting to his Italian friends, Marlene Kuntz and Afterhours, with whom he played live a few times.

Live to see the Red Hot Chili Peppers instead, you have to wait in December, 10 in Turin and Milan 11.

 Many thanks to Alex for the heads up on this!

RHCP Poster competition, Israel Update and Grammy Nomination

RHCP to Play Israel:

After weeks of rumours, it has now been confirmed that the Red Hot Chili Peppers will be playing a concert in Israel next summer which is great news for all of our Israeli friends who have been waiting a very long time to see Anthony Kiedis and RHCP.

It’s official: Ten years after the painful cancellation, the band “Red Hot Chili Peppers’ first show in Israel on September 10, 2012, and stand on the stage of the Yarkon Park in Tel – Aviv. In recent weeks we have reported on the contacts of producer Shuki Weiss bringing Israel and tonight (Thursday) are exposed to all information and ticket sales launched.

The sale will be held at the ticket office “Castle”, when the price of a limited number of presale tickets will be 320 dollars*. Then he will climb up to -390 dollars* per ticket. In addition, like many previous instances, will have the option to pay a “gold ring” in the region close to the stage in 750 shekels, and a VIP card, which includes seating Invision Power Board with Joshua Gardens parking and refreshments, at 1,200 dollars.

Source and original post (sorry, this is a Google translation * and it appears to have exchanged the word shekels for the word dollars- see first comment.)

 

RHCP 2011 Grammy Nomination:

Red Hot Chili Peppers I'm With You Best Rock Album Grammy Nomination

 

Red Hot Chili Peppers have received a nomination in the best rock album category for I’m With You in the 2011 Grammy nominations. Source

RHCP.com Facebook Poster Competition:

The official RHCP website has launched a competition on their Facebook page whereby sharing the new Red Hot Chili Peppers video for Monarchy of Roses enters you with a chance to win one of 15 posters signed by Anthony Kiedis and the rest of the band:

Want to win an “I’m With You” poster signed by the band? Just share the new Monarchy Of Roses video to all your Facebook friends now, and 15 winners will be contacted at random by Tuesday, December 6th to win!

 

RHCP Facebook Page and link to share

Thank you to Shalhevet, Ana and Anna for info and links.

RHCP Latest News & Two New Back Issue Scans

Some brief RHCP news:

Look Around:

Look Around will apparently be the next single off the Chili Peppers’ latest album, I’m With You.

Thanks to Venice Queen & RHCP France for the info. 

RHCP & Greece:

It also seems that RHCP will be playing a concert in Greece next summer (no actual details yet) according to Rock Pop Greece Magazine.

Thanks to Mbir for the link and details.

Behind the Scenes: Monarchy of Roses video:

The official RHCP YouTube channel has uploaded a brief behind the scenes video of the making of the video for the single Monarch of Roses; it featues green screen shots and and goofing about; enjoy :) :

Thanks to Laura, Mark and everyone else who’s linked me to this :)

Back Issue Magazine Scans:

Two new back issues featuring interviews with Anthony Kiedis amongst other features have also been uploaded. Both are from the British music magazine Q with one magazine from 1999 concentrating on Californication and festival dates and the other from 2006 looking at the UK concert dates and Stadium Arcadium.

Here’s an extract from the 1999 magazine review of Californication:

But even if there appears to be nothing essentially different about Californication, the band’s intrinsically eclectic nature ensures that they wander into new musical areas: the dreamlike Road Tripping is McCartney’s Blackbird as viewed through acid trails; the tumbling, jazz-flecked Porcelain features Kiedis at his most poetic, softly lamenting squandered youth and drug-decayed beauty (“Are you wasting away in your skin?/Someone said you’re fading too soon/Drifting and floating and fading away”).

While All Saints’ cooing Xerox of Under The Bridge (without the “drawing blood” lyric) perhaps fuelled the argument that behind the tattoos and pecs, Red Hot Chili Peppers are fine songwriters, the five-minute title track recalls the reflective atmosphere of their best-known song with an unambiguous comment upon the more shallow values of their adopted West Coast home where earthquakes are “just another good vibration”. Elsewhere, they reinforce their knack for great, unusual; pop with the Police-echoing Otherside, the skippy, oblique Scar Tissue and the strident, rallying Easily.

Scans and full interview: Q Magazine July 1999

Here’s an extract from the 2006 Anthony Kiedis interview:

Dodgy burger van or bring your own sandwiches?

I’m sure a rarefied, elitist pig when it comes to eating clean, good food I can’t even begin to imagine playing a show and having to eat the catering you see at some of these places.

What’s your fantasy festival line-up?

Pretty much any guitar player named Jimmy, whether it’s Page or Hendrix. Jimmy Page came to see us a couple of times when we played London, and it was really the most exciting backstage moment we ever had. But I’ve never been able to see him play. I’ve never also seen Patti Smith play, but I think I might get a chance to see her this summer. She may even join us for a number.

The magazine also features several mentions of Stadium Arcadium e.g. recommended album with Wet Sand named as one of the month’s top 50 songs etc.

Scans and full interview: Q Magazine July 2006

RHCP: Eastern European Dates Announced

Also announced on the official RHCP site the  Red Hot Chili Peppers are playing in Russia, Poland, Croatia and Bulgaria in 2012.

St. Petersburg, Russia  Petrovsky Stadium  July 20, 2012  On sale December 2 at 10am
Warsaw, Poland  Bernowo Airport  July 27, 2012  On sale December 10 at 10am
Zagreb, Croatia Hippodrome  August 29, 2012  On sale December 2 at 8am
Sofia, Bulgaria  Georgi Asparuhov Stadium September 1, 2012  On sale December 2 at 10am

More details are to be annouced so we’ll post when they come in!

RHCP: Some US Tour Dates Announced!

The following dates have been announced on the official RHCP website:

01/25 Charlotte, NC time Warner Cable Arena
01/27 Raleigh, NC RBC Center
01/28 Columbia, SC Colonial Life Center
01/30 Duluth, GA Gwinett
01/31 Greensboro, NC Greensboro Coliseum
02/03 Memphis, TN FedEx Forum

Tickets will go on sale on December 3rd 2011. More dates are to follow!