Red Hot Chili Peppers; Big Day Out, Australia, January 2013
Anthony Kiedis and RHCP arrived in Israel for their concert at Hayarkon Park.
The decision to play Israel by the band sparked a lot of controvery online with even a Palestinian group set up calling for the Chili Peppers to cancel the concert and it seems that the controversy is continuing in a different way as things don’t seem to be getting off to a brilliant start for Anthony Kiedis in the country; a local TV station is running an item on the arrival of the Red Hot Chili Peppers including footage of a brief altercation between Anthony and a camera man working for an Israeli TV station.
The article accompanying the video suggests that the vocalist was nervous but it seems more likely that he was annoyed by the man filming him while trying to enjoy the view from a viewing platform (a woman who was standing close to Anthony also walked off seemingly annoyed so maybe that was a factor too?) as Anthony can be just about heard saying something about a “nice welcome” in a sarcastic tone before going over to the camera man and appearing to punch the camera (from the comments made; the footage at this point is of the floor rather than what is happening) resulting in a brief argument between the two men.
Anthony is persuaded to get into the car by others around him while Dave Mushegain (AK’s close friend and RHCP photographer for the forthcoming fan based book) tells the cameraman repeatedly that he’s “done” filming.
Many thanks to Shalhevet & Ana for sourcing the links. News report with video link HERE
An interview with Chad Smith for Billboard, that’s just been released, has confirmed that John Frusciante will not be appearing with the other Red Hot Chili Peppers members when RHCP is inducted into the Rock in Rock Hall of Fame; he also confirms that Anthony Kiedis is on the mend and that the band are preparing for the release of another single off I’m With You:
That said, Smith expects the group to be on the road for most of the rest of this year. With Kiedis “on the mend,” the Chili Peppers hit the road again on March 29 in Tampa, Fla., before heading to Europe in June, with some U.S. make-up dates in August and in the fall. So a new album certainly isn’t likely until the end of 2013 at the earliest.
Meanwhile, the Chili Peppers are also prepping for the release of a another single from “I’m With You” (“Brendan’s Death Song”) as well as the group’s April 14 induction into the Rock and Roll Hall of Fame. Smith says the group, which on that night will also include past drummers Jack Irons and Cliff Martinez, will perform at the ceremony as well as host a private party the night before the inductions. Guitarist John Frusciante, however, will not be attending.
“He didn’t feel comfortable coming, which we totally respect,” Smith says. “We asked him… He said, ‘I’m just not really comfortable with that, but good luck and thanks for inviting me.’ It was all good. He’s the kind of guy, I think, that once he’s finished with something he’s just on to the next phase of his life. The Chili Peppers are not really on his radar right now.”
But, Smith adds, that won’t dampen the celebration in Cleveland. “I’m very pleased about it,” he says. “Music’s not a competition. Yeah, you like to win Grammys and stuff, but (the Rock Hall) is different. It’s not like the flavor of the month or the flavor of the year; it’s for a long career we’ve been fortunate enough to have. I’m very humbled, because the people who are in there…it’s not a joke. It’s very cool. So we’re looking forward to it. It’ll be a fun thing. There’s no pressure, like, ‘Are we gonna win?,’ none of that s***. We can just go and have a good time and celebrate with our friends and our families and our fans.”
Read the full Billboard article HERE
Thanks to Ana and Andjelka for the heads up on this article.
Thanks to Andjelka for sourcing this
Look Around is the latest song to be chosen as a single from RHCP’s I’m With You album and two videos have now been released to accompany the song-one the actual music video and the other a behind the scenes look (both below).
The video is based upon four rooms; one for each of the four band members. Each room roughly reflects the band member it belongs too and includes their own art and belongings among the props! The band performed with each person mostly confined to their own room although Anthony Kiedis dances through the rooms at various times. It was filmed in the round in just four takes! The video was directed by Robert Hales. Source
BTW Anthony’s son Everly bear appears in the video too!
Chad Smith’s Room:
Here’s the behind the scenes video:
Look around Video:
Many thanks to everyone who’s sent me links
Photos came out yesterday showing anthony Kiedis attending a Lakers game walking on crutches and with a cast on his foot; more information has come out today…
RHCP drummer, Chad Smith, has tweeted about Anthony’s injury:
“Ak had surgery mon.on his foot so he’s out for 8 weeks..our sincere apologies for the inconvience. ALL u.s. dates have been rescheduled.”
More information and rescheduled tour dates have been posted on RHCP.com page:
“Red Hot Chili Peppers regret to announce that they must postpone the start of their upcoming U.S. tour due to multiple foot injuries sustained by Anthony Kiedis. Anthony recently underwent surgery to remove a crushed sesamoid bone and correct a detached flexor tendon in his foot and is expected to make a full recovery.”
Tickets for the postponed dates will be honored at the rescheduled dates.
Old Date New Date City Venue
01/20 04/02 Sunrise, FL Bank Atlantic Center*
01/21 03/31 Orlando, FL Amway Arena*
01/23 03/29 Tampa Bay, FL Tampa Bay Times Forum
01/25 04/06 Charlotte, NC Time Warner Cable Arena
01/27 04/04 Raleigh, NC RBC Center*
01/28 04/07 Columbia, SC Colonial Life Arena*
01/30 04/10 Duluth, GA Gwinnett Center*
01/31 04/09 Greensboro, NC Greensboro Coliseum
02/03 04/12 Memphis, TN FedEx Forum*
02/04 10/04 New Orleans, LA New Orleans Arena*
02/17 08/14 Oakland, CA Oracle Arena*
02/18 08/15 Oakland, CA Oracle Arena*
02/26 08/11 Los Angeles, CA Staples Center*
02/27 08/12 Los Angeles, CA Staples Center*
02/29 09/23 San Diego, CA Valley View Casino Center*
03/02 09/25 Glendale, AZ Jobing.com Arena
03/04 09/27 Denver, CO Pepsi Center*
03/06 09/29 San Antonio, TX AT&T Center*
03/08 10/20 Houston, TX Toyota Center*
03/09 10/02 Dallas, TX American Airlines Center*
03/13 10/24 Tulsa, OK BOK Arena
03/15 10/22 Oklahoma City, OK Chesapeake Arena
03/16 10/25 Little Rock, AR Verizon Arena
Source Many thanks to Andjelka for the update.
On behalf of everyone at TheChiliSource.com & AnthonyKiedis.net, I would like to wish Anthony a speedy recovery. Get better soon!
There is a brief mention of RHCP in Rolling Stone Magazine (19th January, 2012) where Anthony Kiedis talks about the Chili Peppers inclusion into the Hall of Fame and remembers Hillel Slovak:
Red Hot Chili Peppers
For the Chilis, the induction is a chance to celebrate original guitarist Hillel Slovak, who died of a drug overdose in 1988. “He was a beautiful person that picked up a guitar in the 1970s and didn’t make it out of the 1980s,” says Anthony Kiedis. “Now he’s being honoured for his beauty.”
In the same magazine there is a photo of the band:
Chilis Catch Fire
“These are some of the best shows we’ve ever done,” says Red Hot Chili Peppers bassist Flea. “We’re fucking shit up!” The Chilis’ world tour (singer Anthony Kiedis and drummer Chad Smith shown performing in Turin, Italy in December) hits the U.S. this month- and on April 14th, they join the Rock and Roll Hall of Fame. “Because we’re in such an exciting place right now,” says Flea, “getting acknowledged for our career has a lot of meaning.”
Many thanks to Melanie Owens for sharing this.
Ret Hot Chili Peppers have a brand new stage set for their current I’m With You tour and RHCP Brazil decided to find out more; they’ve very kindly translated their original article into English and shared the information, interview and photos they have with us.
The Red Hot Chili Peppers have started an epic world tour using the very best in the entertainment industry and a very experienced technical team.
Started in Germany on 07th October, the world tour for the new album “I’m With You” has a huge LED Backdrop panels made ??with V28 LSI Saco, a band’s logo drawn on the floor made with 30mm LED from Tait Towers and eight impressive chandeliers that move and expand itself giving dynamism, depth and a three-dimensional performance.
The new stage has an octagonal shape as a base, from the logo of the band on the stage to the trussing and was fully designed by United Visual Artists (or UVA), studio based in London and intersection of sculpture, architecture, live performance, moving image and digital installation.
The RHCP Brazilian website talked to David Bajt, d3 projects leader (UVA’s own software which you will understand more below), and he told many details about the new stage, that although it seems to be a very complex construction, it only takes 2 hours to build it up in those rooms.
Did you receive some briefing from RHCP management to build the stage or the whole creation was 100% by UVA?
It was pretty much 100% UVA design, but of course it had to be realistic in terms of touring, and the band had to like it too.
What are the sizes of the screens used at this stage?
Backdrop: 17.92m wide, 6.72m high
Floor: 21m wide, 12m.
Chandelier: 3.024m wide and high (closed), 9m high + trussing = approx. 10.5m high
Are LED Backdrop and chandeliers’ resolution the same? What’s their resolution?
Every chandelier has the resolution 336×336
The backdrop has the resolution 640×240
The floor has the resolution 700×400
There are 8 chandeliers, how they were built? Are they made using LED or another specific material?
The LED for the chandeliers are made of SACO v9 panels provided by Nocturne PRG. The chandeliers themselves has been built and engineered by Tait Towers. All movements are controlled by the Tait Navigator system, which sends all position, rotation and expansion data to d3 which automatically maps content onto them, regardless if they are open, closed or rotated.
Do they stay only above the band or they also move towards above the audience?
The screens stay on top of the band, as they form one design together with the floor and the backdrop.
I’ve seen the chandeliers expanding in some music and it looked like it was being opened above each tip of the asterisk. How does it work? Was it inspired on that screen created by Barco for U2 that expands as well?
We used the band’s logo as a key for the design – it’s on the floor, and the screens above the band reflect this in a more abstract way. Expanding screens are not new, but you don’t often see them in this versatile way. They expand using motors at the very top and very bottom of every chandelier, and all the tracking data goes into d3. d3 is our home-made integrated production toolkit, we (UVA) use it for all our installations. Using d3 we can pre-visualize the show in 3d, and use it to sequence all the content / kinetics. During the show we use it to control the video content, screens movements and live camera feeds. Both U2 and this RHCP show use 360 screens, so in that sense it is similar, although the feel to the whole show is very different. U2 also use our d3 system, so that is similar too!
What’s the speed they move?
It’s quick! It takes about 20 sec to go from completely closed to completely expanded.
About lights, animation and screen movement: Is it everything automatic? Or who is in charge to control everything? Once I heard about a control called GrandMA, I don’t know much about this product but is it used?
Yes, the video operator (Leif Dixon) and the lighting designer (Scott Holthaus) both use GrandMa desks, which are used a great deal in the live music industry, usually to control the lighting. There are a lot of things going on during a big show like this – screen movements, video content, lights – and all these elements might all have their own system behind it. We successfully integrated d3 with a GrandMA for the first time, meaning that you can use the GrandMA desk to jump to the next cue in video content, for example. This gives the show controllers a lot more flexibility.
The data from the screen positions comes into d3 automatically, but many of the screen positions and configurations have been programmed in during the production rehearsals. As soon as we get the set list from Anthony Kiedis (this is usually only 15 min before the show) we tell ‘Motion Rob’ who controls the screens to match the screen positions with the content of the songs. The lights and the video are ‘cue-based’, the video operator uses a GrandMa desk to jump to the next cue in d3’s timeline. The band is jamming and adding/reducing bars a lot so it’s impossible to use Midi timecode or similar. This is a real punk-rock band that improvises a lot, so a completely pre-made show would never fit with their musical spontaneity.
About animation and lighting design process, were they made after the stage had been completely finished or was everything planned together?
Some content was planned during the design process but the lighting was sequenced during the production rehearsals. The good thing with d3 is that you can simulate all the video design months before the show opens! These animations were sent to the management and the band for approval.
Some people complained about the fact there is no screen with live images of the band playing, that it could be good for those who are very far from stage. Why do all images have effects? Is it some RHCP decision to avoid illegal video on the internet?
This depends on the show, all of them are different – the ones in London and Germany for instance had a lot of real time camera with and without effects, but maybe you saw a different one?
Who had the idea to make the RHCP logo on the floor using LED? What kind of material have you used to make a great visual effect and also to uphold all equipment above?
It was our idea here at UVA. We only specified the architectural shapes, screen movements, and the requirements of the LED screens (brightness, pixel pitch) and of course specifying how the lighting trusses would be designed. For example you can see that the 3 lighting trusses inside the chandeliers follow the same shape as the logo. It’s all been thought about very thoroughly, you have to when you are working on this scale. Tait Towers, who are specialized in building stages, made sure everything was engineered properly and the whole set works.
But the band put a carpet on stage so it’s almost impossible to see the asterisk, do you know why? Is the surface too flat or smooth?
It’s a very practical and personal reason: Anthony Kiedis has some trouble with his knees, so for some shows they had to put a soft carpet on the floor to accommodate this. This will be replaced with a transparent screen though so the logo is fully visible. The band really like it – in fact Chad requested the elevated drum stage he’s on to be a mesh (it wasn’t at first) so he could see the floor better!
How much weight each video screen has? How much tons approximately has the entire stage?
We don’t know, sorry.
How do you make this transportation from one country to another?
There’s 5-6 big trucks shipping all the kit and another 5-6 tour buses transporting staff.
How long does it take to build the entire stage on the show? There are bands that have more than one set in the next town they’d be playing in order to build it up in time, is it necessary to RHCP?
As designers, we only come up with the idea and how to get it built – so we don’t actually build up the stage. However, RHCP tour management have a very experienced and professional team that tour with the Peppers and build up the stage for their show. We know it only takes approximately 2 hours to build the entire stage!! so this is why they can travel and do a show somewhere else every day.
In terms of logistic, how difficult and expensive can be to bring this stage to Brazil?
Sorry, we don’t know this one either. This is part of the band’s management.
For next year that will have outdoor gigs, stadiums and big arenas, will they use the same stage?
Yes, at least for the US part of the tour. We are not sure what will happen next, this would be up to the band’s management.
All this structure is special for RHCP or it’ll be commercial line in the future?
Featuring the RHCP logo, it’s made especially for RHCP, so it won’t be seen anywhere else.
What are the other bands that UVA works for?
We’ve designed the stages (and content) for bands like Massive Attack and Jay-Z but our production toolkit d3 is used by many bands including U2, Kylie Minogue, Take That, Robbie Williams, Battles, George Michael and many more.
Credits to: James Medcraft
Many thanks to Altair at RHCP Brazil for sharing this amazing information and for translating it into English too! The original article, in Portuguese, can be seen HERE for anyone interested.
Venue: Palaolimpico Torino Italy
Date: Saturday 10th December 2011
I’ve just added over 220 photos of the Red Hot Chili Peppers performing atTorino/ Turin, Italy at the end of last year. Sorry there’s been a delay due to real life issues but I’ve finally done it… Here are a few examples, hope you enjoy
Note: The lighting at the concert wasn’t brilliant for taking photos; I took over 700 trying to catch the right conditions and have uploaded about 300 of those to my two websites- the quality of the uploaded ones does vary but I’ve added so many photos to give a real taste of the concert.
And for anyone interested: Anthony Kiedis Gallery at Torino December 2011 on AnthonyKiedis.net
EDIT: Updated with the three song videos and also the interview with a transcript :
Red Hot Chili Peppers have appeared on UK TV on Jools Holland’s show for the second time this week (tonight’s show was recorded along with Tuesday’s live footage). The show, like Tuesday, opened with RHCP playing the Adventures of Rain Dance Maggie, they also played Look Around (screen caps below) and Anthony Kiedis and Josh Klinghoffer were briefly interviewed: They talked about the departure of John Frusciante & Josh joining/ fitting into the Red Hot Chili Peppers; Anthony Kiedis mentioned having Everly Bear with him in London and showing him some of the sights (before Everly Bear has to stay in school and the world ends next year!) and he also said how much he enjoyed the set by Bjork. The show again ended with Monarchy of Roses.
Many thanks to Ana for sourcing these and pkrips0791 xxxxWGDxxxx for uploading them!
Jools Holland: And now I’m delighted to welcome Anthony & Josh from the Red Hot Chili Peppers at this table, here, direct. Very nice to see you both. Welcome back to the show.
Anthony Kiedis: Thank you.
Jools Holland: OK great. Band sounding great. Very good new record but it’s five years since the last record and er… how come you left it sorta so long? Five years, is that right?
Anthony Kiedis: Umm..It seems like five minutes and it’s never really that long. Yeah, maybe since we actually recorded the record before it but then you know we go out on the road for years on end, took a little break and found Josh.
Jools Holland: Exactly. And how did you find Josh?
Anthony Kiedis: Umm Josh is a friend who happened to be in our circle of people and …umm… it was just kinda perfect and magical transition where our previous guitar player, John, was ready to go and do something else and we said that sounds sensible, and then we thought about it for a while and really just let it come to us where we should go. And instead of forcing it in some weird, uncomfortable, awkward direction, we drifted towards the comfortable beauty of Josh.
Jools Holland: Lovely, comfy Josh.
Anthony Kiedis: Yeah right. Which has been. Not to praise him too much wildly on television while he’s sitting there
Jools Holland: No sorry.. yeah.. but [talking over Anthony Kiedis]
Anthony Kiedis: … it’s been the greatest thing that could have ever happened to us
Jools Holland: It sounds great as well. You sound beautiful. Do you feel as though you’ve blended straight in?
Josh Klinghoffer: Umm… yeah… I mean I’ve known those guys these guys for a while so umm yes, you know…
Jools Holland: It’s kinda hard , it’s kinda difficult to be accepted into?
Josh Klinghoffer: No not really cos they are so open and they just kinda want me to be me and you know have as much fun as they are
Jools Holland: And when you are on tour, what do you do? Do you go and see the sights of the cities you are in or do you stay in your room. What do you do?
Anthony Kiedis: Yeah sometimes the sights. Umm I’ve been bringing my son on tour with me and trying to show him around a little bit. He’s four.
Jools Holland: That’s great! Show him the world
Anthony Kiedis: Show him the world
Jools Holland: That is great, good time to see it before it ends.
Anthony Kiedis: And before he gets too locked into school. True before it ends, yes. Yeah, it could be next year according to the polar swap. Did you read about that?
Jools Holland: Is that right? Oh yeah, I knew there would be something else to worry about
Anthony Kiedis: Oh yeah, you got about about a year.
Jools Holland: And show him the world. Great to have you on the show. Its sounds great and it’s great you blend in beautifully with them if I may say so?
Anthony Kiedis: We love Josh and by the way, Bjork was radically wild and wonderful. That was so cool.
Jools Holland: Great wasn’t she?
Anthony Kiedis: Yeah
Jools Holland: A lot of great guests tonight
Anthony Kiedis: A great line up of guests. Yeah.
Jools Holland: Well I’m glad you’re one of them, so it’s very nice to have you both here. Thank you very much. Anthony and Josh! We will be hearing more from the Red Hot Chili Peppers later *
[* They closed the show with Monarchy of Roses]