1999 July Q Magazine (154)

 

Red Hot Chili Peppers

Anthony Kiedis hauls his non-gay, non-heroiny personage to glittering Leeds…

You’re playing Reading and Leeds. What can we expect?

I can’t answer a question like that, it will take all of the fun out of it. But I can tell you what not to expect: lightbulbs on our heads.

Do you know where Leeds is?

Yes, we played a university there once. It’s where The Who recorded an album, isn’t it? I remember thinking, Damn! This is Leeds?! But not every city has to be glamorous.

Is the band stable now that your eccentric guitarist John Frusciante is back?

Stability can be deceiving. On an obvious level, yes, everyone’s definitely on the same page, but you never know. Let’s just say there’s no real sense of impending calamity.

Who came up with the title for your new album Californication?

I did, it’s my job in the band. There’s more to the title than first meets the eye. Typically you think of fornication in the sexual sense, but combine that with California and it’s a whole new meaning.

What,  exactly?

The effect that California has on the rest of the world culturally. It’s both beautiful and ugly. Everywhere on the planet you see the influence of California.

Is the album any good, then?

We’ve made a really good record. Somehow, in John’s absence we all stayed on the same plane, a strange cosmic continuation which makes this record sound like the obvious one to make after Bloodsugarsexmagik. It’s still funky but there are spooky and haunting songs on there too.

Is there something sexual going on between you and him?

Between John and me? No! Not in the past, present or future. I’m very close to John as a friend and when we take pictures he often expresses his affection for me by slumping over me, but John is the most purely heterosexual man I have ever met.

What did you think of All Saints doing Under The Bridge?

It didn’t really affect me. I might have been more impressed if The Clash had re-formed and recorded it, but that’s as good a song as we have ever written.

And how’s the heroin addiction coming along?

I think that’s an unnecessary subject to discuss in a music interview. For me today, I’m not interested or in need of any mind-altering substance, heroin or anything else. I’m just dealing with today.

Paul Elliott

 

Troubled Funk

The band who’re always going to spilt up…

Red Hot Chili Peppers

Californication                         

In Red Hot Chili Peppers’ world, it seems people and situations change. Anthony Kiedis’s on/off heroin habit continues; guitarist Dave Navarro quits after one album (1995’s One Hot minute) to pen his forthcoming book Trust No-One, a paranoia wracked account of an entire year spent at home. He’s replaced by the returning Blood Sugar Sex Magik linchpin John Frusciante. But the slappy bass, muscular-rocking song remains the same.

Perhaps they feel that the 1984 patenting of their thrash punk/P-Funk crossover on Freaky Styley was quite enough innovation for one career and, accordingly, there are moments on Californication, such as the rap metal of I Like Dirt and Get On Top, that could have seamlessly fitted into any of their six previous albums.

But even if there appears to be nothing essentially different about Californication, the band’s intrinsically eclectic nature ensures that they wander into new musical areas: the dreamlike Road Tripping is McCartney’s Blackbird as viewed through acid trails; the tumbling, jazz-flecked Porcelain features Kiedis at his most poetic, softly lamenting squandered youth and drug-decayed beauty (“Are you wasting away in your skin?/Someone said you’re fading too soon/Drifting and floating and fading away”).

While All Saints’ cooing Xerox of Under The Bridge (without the “drawing blood” lyric) perhaps fuelled the argument that behind the tattoos and pecs, Red Hot Chili Peppers are fine songwriters, the five-minute title track recalls the reflective atmosphere of their best-known song with an unambiguous comment upon the more shallow values of their adopted West Coast home where earthquakes are “just another good vibration”. Elsewhere, they reinforce their knack for great, unusual; pop with the Police-echoing Otherside, the skippy, oblique Scar Tissue and the strident, rallying Easily.

Considering the volatile intra-band chemistry there’s always been a very real danger that they’ll implode at any moment. If this finally happens-as many predict- after Californication, at least they’ll have done so with no small amount of style. ***

Tom Doyle.

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